Last Monday our class saw segments
of Moneyball and South Park. I had seen Moneyball
a couple of weeks prior so I was therefore familiar with the story. And I had
also seen South Park’s film and some
television segments. I thought both presentations were illuminating as my
classmates incorporated Postmodernism and salient points into the texts. The
students made analogies of baseball’s old world order and new world
disorder. Reflecting old world order: Oakland
Athletics’s potential payroll for 2002
was large, as they had a few great players who would be expensive to keep on
their roster. They had non-creative scouts, many of them old. Their team relied
on homeruns to win games. Some of the new world disorder involved Billy Beane
revolutionizing how a general manager of a baseball team operates. While the
New York Yankees’ payroll in 2002 was $120 million, the Oakland Athletics’
salary was $38 million. The Athletics’ simply did not have the operating cash
to finance keeping expensive players on their roster; therefore, they let
talented veterans such as Giambi, Damon,
Isranhouse, and rookie Pena go to other teams who could afford their expensive
salaries.
The new world disorder of Billy
Beane and the Oakland Athletics relied on a new idea of computer statistics to
help the general manager obtain baseball players that would normally be
overlooked. These new players became known as “island of misfit toys.” In actuality, the new assistant general
manager was Lew Podesta (he would not allow the movie makers use his namesake),
a young man straight out of Harvard
whose computer research was known as “sabermetrics.” He looked for categories
such as on base percentage, slugging percentage, pitching statistics hitherto
not used by other teams, players who
were either overlooked or undervalued by their present team, and who could be
obtained on the cheap by the Athletics. By using these unconventional methods,
the Athletics had a great season, even though they came short of the
championship. They actually set a record for most consecutive wins: 21 victories
in a row.
Some of the students in the project compared the slave/master
relationship to that of the players and Billy Beane. Also, they compared Billy
Beane as the slave versus the owner of the Athletics as the master. This
reflects Hegel’s philosophy and Modernism’s capitalistic hierarchy. Actually,
during the early 1970s, an African American baseball player, Curt Flood,
challenged the monopolistic major league baseball’s ownership in fighting for
“free agency” which means that a player can negotiate with other teams on their
own thus creating more salary and less dependency on their current team. Prior
to that, the baseball player had virtually no rights. The case was eventually settled in the
Supreme Court with the plaintiff, Curt Flood, winning. This changed the
landscape of athletes’ rights, not just in major league baseball, but in all
professional sports. Unfortunatly, Curt Flood never played again—he was
blackballed from baseball.
The group also underscored the 1950s and 1960s as a fecund period in America for civil rights and
feminine rights. Thus Jackie Robinson became the first African America baseball
player to be accepted into the major leagues in the early 1950s. The Negro Leagues,
however, had perhaps the greatest pitcher to play the game—Satchel Page—who was
not accepted into the majors until he was about 50 years old. In addition, the
Negro Leagues had a homerun hitter, Josh Gibson, a catcher, who never made the
majors, was at least an equal to Babe Ruth. Gibson was known to hit 500 feet
homeruns and actually hit over 800 home runs, surpassing Babe Ruth, known as “The Sultan of Swat.”
It is quite true that profitability
and large capital is skewed in favor of large city teams such as New York,
Boston, and Los Angeles; however, Major
league baseball has had in place for several years what is known as “revenue
sharing,” whereby the more profitable teams share their wealth with the small
market teams. This is perhaps fair and more of a Marxist economic procedure.
However, a perennial complaint of the teams that share their wealth is the fact
that small market teams simply pocket the extra shared revenue instead of using
it to obtain more expensive players, which is the rationale behind revenue
sharing. It should be noted that the Brooklyn Dodgers were the first baseball
team to bring in an African American, and the Los Angeles Dodgers were the
first team to hire a female assistant general manager, albeit, she left the
team a couple years ago to work in the front office of major league baseball’s
headquarters.
The second class project was on South Park, a satirical cartoon serial
TV show on Comedy Central cable television station running for 15 seasons.
Actually, I had never seen South Park until the last few weeks. Ironically, I
had mistakenly had an image of the television show as having gratuitous
obscenity and reflecting prejudice. However, after watching a few of their
television shows and their movie, in addition to listening to our classmates’
project, my opinion has greatly changed. I feel the show has intelligent
commentary on current sociological and political issues, often satirizing both
sides of the issues. The show is not biased.
The Postmodern philosophy of Jean Baudrillard is reflected in South Park. He maintains “the
postmodern world of communication saturation represents an over-intense advance
of the world consciousness” (Barker 208).
The project’s members stated that
the cartoons undermine the stereotypes to make us laugh at them with a lot of
satire. The four boy cartoon characters are Cartman, Stan, Kyle, and Kenny.
This last weekend I watched the film South Park, and although I laughed
hysterically at times, I appreciated the intelligence of their messages. For
instance, there was a segment whereby the Japanese were ridiculed by American
activists for killing whales and dolphins. The irony was injected by alluding
to Americans as “normal” for killing chickens and cows. The question it posits:
Why is killing whales and dolphins worse that killing chickens and cows?
The group categorized Modern and
Post Modern characteristics of South Park. Modern:
·
Prioritizes words over images
·
Promulgates rationalist view of world and
discusses two sides of an issue.
·
Explores the meaning of Cultural Texts.
·
Distances the spectator from cultural objects.
Post Modern:
·
Draws from everyday life.
·
Contests rationalists view of culture.
·
Puts stress on visual.
·
Immerses the spectator in his/her desire for
cultural object.
The topics that
South Park encompasses: Race, Immigration, Capitalism, Media, and Religion.
Germaine to our discussion on
immigration, Dr. Wexler posited that western countries relaxed immigration
policies to bring in cheap labor to “discipline” labor unions. Chapter 10
(Barker) deals with television techniques in juxtaposing the protagonist versus
antagonist, and the hero versus villain characters, using script and camera
shots as a means to an end. Fiske gives a very detailed account on the nuances
involved. Also, the chapter stresses that TV shows, including news, have a
cultural, political, and economic agenda influencing the audience. Louis Althusser’s
philosophy of hegemony exemplify popular culture and television.